METHODS AND MATERIALS

With rare exceptions, images dated prior to 2003 were captured using 35mm B&W or color film. The negatives or slides were scanned at 4000 dpi using Nikon film scanners. Interpolation post-processing was used, were desireable, to further increase effective image pixel density. Since 2003, equipment based on digital camera bodies (primarily Nikon) with 12 Megapixel or higher resolution have been used. Digital imaging in the 35 mm format is still not optimum for all types of images. However, within its appropriate area of application it provides film-like acuity with sufficient advantages in processing and production to be worthy of serious presentation.

The Eye2Eye Gallery prints are created via large format Epson Pro 4880 ink jet, using "Ultrachrome K3" archival pigmented inks. This combination produces prints with quality and longevity characteristics equal to or better than that generally possible using traditional wet darkroom procedures. The descriptive term “archival pigment print” seems most apt for this type of photographic artwork. Other terms commonly used (singly or in combination) in relation to digital methods of print production are “giclee,” “inkjet,” or simply “digital” print. The selection of paper type and/or surface is guided by image content and desired effect. However, in all cases I use the highest quality media (Epson, Hahnemuhle, Moab), consistent with to that intent, in the production of my archival pigment prints.

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